"You couldn’t make it up. But they did. And it’s fantastic": 5 Xenomania tracks producers need to hear
As Girls Aloud hit the road, we go in deep with the writer/producers behind their greatest hits
As Girls Aloud hit the road, we go in deep with the writer/producers behind their greatest hits
Can this module “fold, wrap and bend” to our whim?
Inspired by classic rackmount hardware, it comes with an external sidechain input
As Kali revisits its nearfield monitor, we find a near-perfect balance of performance and price
Not Logic Pro but FabFilter Twin?
Video and sound demos of some of the biggest hitters at this year's show, from Elektron, Arturia, Polyend, Oberheim and UDO
The 369 certainly has the look of a classic, but what about the sound?
It was created in collaboration with plugin developer 112dB
Based on the same platform as the Sequential Take 5, the TEO-5 keeps it Oberheim with a classic state-variable SEM filter and X-Mod functionality
Super 8 drops the Gemini's ribbon controller and its extra set of controls, but still offers an impressive 16 voices of polyphony and the same unique architecture
Accessibility updates also include AI-powered eye-tracking control
More power and spectral healing for post production, music-making and content creation
Bend time to creative effect with Computer Music's July issue – and get Cableguys' TimeShaper3 for free!
New features include an overhauled interface, intelligent track matching and lower CPU load
This drum machine from former Ableton and Teenage Engineering developers uses a distinctive resynthesis ‘blob’. We investigate
The 'brute just got twice as brutal
SD-3, SD-5 and SD-7 can each be made to sound like one of 32 classic mics
Prepare yourself for a visit from the ghost of Moogfest past
Knocked sideways by commercial success, Tom Krell chats to Danny Turner about rediscovering his lost sound on sixth album, I Am Toward You